See Unmixing Layers.It is a remarkable tool, and I suppose you could extend it to mix, but mostly, as mentioned above, it is an editing/repair tool. While I havent been through everything, it is markedly more stable on my setup. The Unmix feature has been helpful in carving out voice in a few recordings so that I may manipulate some reverb reduction. Atención personalizada 946 545 762 y gratuita. I've used it, back when Sound Forge owned it (well, whoever owned Sound Forge that week). Descargas, Noticias, Sonido, SpectraLayers Pro y Tutoriales, Carlos Mariño, Cubase PRO, Tutorial Cubase PRO y Tutorial Sonido. I think the price far exceeds the utility. Extract this material to independent layers for processing, in SpectraLayers or anywhere in the DAW ecosystem. It is simply another view of audio data, and one that - for me at least - just isn't all that necessary most of the time.Īnd, at least to this curmudgeon, audio editing and mixing should be done with the ears, not the eyes. Mix and render, or keep your edits preserved on. One can, given enough experience, get close with the eyes. One needs a lot less experience to do the same with one's ears. Product Description In SpectraLayers Pro 4, you can work with the individual sounds in an audio file fully visually. I believe that, for the most part, I can still make edits faster, and more accurately, with a razor blade. Manipulate sounds as if they were elements of a photograph. The difference continues to shrink, but it is finite. Now what I can NOT do with a razor blade - not anywhere near as quickly or accurately - is "undo", and thus our current tools do provide us with the opportunity to try many ideas. That's a good thing.Īnd one day I may even grow accustomed to the computer version of "rocking the reels" to locate the edit point.
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